Roles in a Room
The ultimate signifier of a great session is of course a great song. As all great songwriters know, your role in making that great song happen varies from session to session. You need to be able to read the room, evaluate your co-writer’s strengths and weaknesses, and then insert yourself accordingly. Let’s go over a few roles that a songwriter can play in a room.
The driver. Sometimes you’re in a room with co-writers or artists whose vision isn’t necessarily strong. They may lack concepts or courage; either way, they leave a power vacuum. In these instances you can save the day by taking the lead. Come prepared with song concepts, Chord progressions, or reference material and make that song happen.
Assist. In other instances, the other writers or artist may come to work fully inspired. In these instances, try to get out of the way. This is an especially good route when artist is driving the ship. Make suggestions when they’ll enhance the song but don’t fight too hard for your lines. You’re more likely to a get a cut with an artist the more they pour themselves into a song.
Vibes. It’s strange to say this but not every successful songwriter is acutely gifted in the melody and songwriting department. Some of the writers at the top of their game are considered “vibe guys.” I know - its crazy. There are those of us who truly exist to keep the energy positive and industrious.
Co-equal. The best situation, in my opinion, is when someone’s strengths compliment your weaknesses and vice versa. For instance you might be a great melodist and your co-writer might be a great lyricist. In these situations - unlike the former three - there’s not so much of a power imbalance. You will both be responsible for the success of the song. These situations work best when BOTH songwriters are able to evaluate each other’s strengths and let the other take the lead when necessary.
